My Journey
With a Magna Cum Laude degree in Cinema, Television and New Media at Università degli Studi RomaTre and executive training in AI for the Media Industry at Civica Scuola di Cinema Luchino Visconti in Milan, I combine a solid film education with hands-on experience in generative technologies for production and post-production.
My journey started in the independent field, where I produced and shot music videos and television content distributed by Rai, working across camera, editing and color.
Managing small, fast-turnaround sets like this taught me to work with lean crews, adhere to tight schedules and deliver technically reliable footage under real-world constraints.

I have since worked on social and digital campaigns collaborating with top production companies including 360FX, Filmmaster and Kiwi Digital, on projects for brands such as Lavazza, McDonald’s, Ferrero, Unilever, Elica Cooking, Eat Natural and KFC.
My involvement in these large-scale commercial sets has significantly strengthened my interest in cinematography, exposing me to high professional standards and refined production methodologies.
For this reason, over the past two years, I have undertaken an increasingly focused path into cinematography, transforming technical practice into visual language and progressively developing a personal and coherent aesthetic approach.
Alongside shooting, I manage the entire finishing process, with strong expertise in color grading. This end-to-end approach allows me to ensure visual consistency and technical reliability at every stage of the workflow.
The hybrid focus
In parallel, I am deepening my work with advanced artificial intelligence.
While the industry debates the validity of these tools, I view Generative AI as an inevitable paradigm shift in advertising production.
I do not believe in replacement, but in integration: the history of production is a history of technological integration.
I approach AI with the same philosophy: not as a substitute for the camera, but as a powerful addition to the cinematographer’s toolkit.
I believe the advertising sector demands we understand and master these tools today to define the standards of tomorrow.
My work aims to merge traditional filmmaking with generative speed, ensuring that as methods change, the aesthetic standards and the directional control that define high-end production remain absolute.
